I’m sorry for the delay in posting. I have been focusing on finally getting the website up and running.
Currently, I am working on a triptych of seahorses. Two paintings I have done at the same time, but three is a new thing for me. This is only the first layer, and my goal is to have each of these paintings stand on their own or as a part of the set. I’m “deep in the uglies” as I like to call it, and I can see glimmers of where this will go when I’m done. The theory is, by working on all three paintings at the same time, I can keep the style the same throughout. If I completed one painting at a time, it is likely that my style or choice of painting methods would change, and end up not working as well together.
I have been working on these at my weekly “paint at the farm” events on Tuesdays. Names for the paintings haven’t come to me yet. They will as the personality develops.
There is a lot of talk lately about using “neutral” palettes to mix paint, that somehow it helps you get your colors closer to what you want them to be. Most of us start with a white palette to mix our paints on. I tried something different. Since I was looking for specific colors to make my fish become part of the background of the painting, I printed out a copy of the picture I was using for the images and put it behind my glass palette. By the way, I always use a piece of glass for my palette, that way I can just scrape it clean with a razor blade.
If you look at the white palette, that blue color is an attempt at what would be “white” under water and a longer way away. When you look at the same color on top of the photograph, it is almost a perfect match for “white”! For the record, white, is almost never white. In fact, all colors are relative to the colors they are beside.
Finally, here’s a picture of some of the fish I finally painted: As crazy as it seems, they may still be too bright. I’ll have to wait until I add more to make that determination.