Finally, the painting class portion of the Kipaipai Atelier has begun! I’ve waited months for this and I’m so excited. During the first class, I was bouncing up and down in my chair. Overachiever that I am, about a month ago, I started painting color charts, I read the first three chapters, and I also did some value scales.
For those of you who don’t know, I live in the Big Island of Hawaii in the middle of a large body of water called the Pacific Ocean. I despaired at finding quality in-person art instruction until I found Rose. I’m mostly self-taught with a few workshops thrown in here and there. Having this opportunity is an amazing thing, and I plan to get as much out of it as I possibly can! I also believe that talking about it here will help cement it into my brain and perhaps get you guys to ask question as well!
For our first class, Rose went over a value poster study. This is a basic tool wherein you choose a simple composition and break it down into 4 values. Ivory Black, Titanium White, a light grey and a darker grey. This isn’t something to agonize and spend hours doing. This is meant to be quick, and to make you look and choose, and to see the larger shapes. In the book, Lessons in Classical Painting by Juliette Aristides, Juliette suggests cutting the four values out of cardboard and putting them together. Rose had us paint our value study instead (since this is a painting class).
Now, I could take hours on this, and I could add many more values to this composition, however, I was only allowed to use 4, and in a limited amount of time. This exercise forced me to do many things:
– See the shapes of the values
– See the paths as they move through the composition
– Understand how to consolidate values into larger masses
– By limiting choices, the brain is forced to look for solutions, and that means looking at things more carefully.
– By limiting the amount of time to work on this, it forced us to make decisions and just do it.
As part of our homework, we needed to create 7 and 9 step value scales using Titanium White and Ivory Black. Probably because of previous practice, I found the 9-step scale easier to do. Will I ever use a 9-step grey-scale? I don’t know. What I will use is the ability I’m developing to create tints of colors, because painting this scale shows me how saturated with pigment each paint is. That information will prove invaluable as I move forward and start working with color in this class.
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