Archive for the ‘Drawing Tips’ Category

Advanced Painting Atelier Weeks 8 & 9 Trompe l’Oeil

Tuesday, February 18th, 2020

This time, we had two weeks to complete a painting. Rose wanted us to do a Trompe l’Oeil, which is a painting that gives the illusion of reality, such as a painting of a window onto a lush tropical landscape that is painted directly on a wall. In this case, I painted a tree frog on a flower coming out of a hole in the wall.

I had an old canvas that I had primed with leftover dark colors, and I decided to use that. The colored tree frog on the blossom I cut out so that I could see how it would look as part of the painting. I probably took the most amount of time deciding how to shape the window, what type of border to use, and finally, how thick to make the border. After I made those decisions, I had to move the whole thing.

Here is the final. Everyone thinks he is incredibly cute!

How to Check Your Drawing

Monday, July 15th, 2019

When you are aiming for realism or an accurate rendering of your subject, there are many ways to check the proportions in your drawing. Here’s a list of the ones I know (and I am sure that I’ve left out a few):

  1. Stand back and compare the subject to your drawing. The greater distance will make many errors visible quickly.
  2. Take a picture with your phone for comparison. Seeing a miniature version of your work usually makes things stand out.
  3. Look at your work in a mirror. Using a mirror converts your subject to shapes instead of things and it is easier to spot discrepancies.
  4. Turn both your subject and the painting/drawing upside down. (This really only works if you are using a photograph or a picture as your subject.)
  5. For subjects that are mirror-images on both sides such as a vase or a bowl, you can use a mirror or a piece of glass to check and make sure that both sides match.
  6. For the above, trace the outline of your drawing and fold it in half. This will show you where the drawing is out of balance.
  7. Look back and forth quickly between your subject and drawing. This technique blends the two together and shows you what needs to be corrected.
  8. Check your angles and the length of your lines. Using easily recognized points, determine key angles and make certain that these angles are accurate in your drawing.
  9. Use sight-sizing.
  10. Try using a proportional divider to check your measurements
  11. Rulers work too.
  12. As do skewers. Measure, measure, measure.
  13. Measure twice, draw once!
  14. Did I mention measure?
  15. Step outside and look at your work through the window. Somehow this puts it at a remove as if it was someone else’s work.
  16. If all else fails, and you can’t figure out what is wrong, take a tracing of your subject and place it over your drawing. This will immediately show you where your drawing is off. If you are drawing from life, take a picture of your subject and print it out. Yes, it has to be the same size. Is your subject too big? Print out your problem area only. There’s no need to do the whole thing.
  17. Walk away and look at something else for a few minutes and you will be able to look at your work with fresh eyes. Do this at least every 15 minutes.
  18. Don’t forget to look at your subject. You can become too familiar with your own work and mistakes will begin to look correct.

Remember, all these suggestions are to improve the accuracy of the drawing. If you are doing quick studies or gesture drawings, that’s a completely different thing. Those are about loosening up and finding the rhythm of a pose.

Drawing Class Lesson 8

Saturday, March 9th, 2019

I’ve been working on this drawing for three weeks now.  Every one of us is in the same boat, sight-sizing a drawing from a plaster cast.  Finally, this week, I felt comfortable enough with my measurements to put in some lines and move forward.

My measuring skills continue to improve.  What I haven’t done yet is the value scale for this drawing.  That will be the first thing I do next Thursday when I get to class.

Over time, as you learn a new skill, you also become familiar with different or better materials.  Now that I’ve been working with charcoal and cursing it’s mother in as many languages as I can think of (thankfully not many…) I finally found a working charcoal called Nitram that is AMAZING. https://nitramcharcoal.com/ It is used in place of vine charcoal.  I was curious what the big deal was, and it is a big deal.

  • It is much easier to use
  • Doesn’t break easily
  • Lasts a lot longer
  • Erases just as well as vine
  • Smudges with the best of them
  • Much LESS MESSY
  • Doesn’t need to be sharpened to a point

This is where you see me doing the Snoopy happy dance!  I just might be a charcoal convert, but the jury is still out.  Perhaps I’m just being stubborn!  Nitram is available from different art supply stores as well as Amazon.  If you haven’t tried it, do!  It is a life-changing drawing tool.

 

Week 6 Still Life with Toned Paper and Proportional Dividers

Thursday, February 21st, 2019

I finally got around to working on my homework for class yesterday, and I hate that I lost time this week.  I gave it about 6 hours, since that is what I had available, and it needs at least another 4-6 to make me happy.  Between running a business and finishing up a current painting sometimes real life gets in the way.

I didn’t spend as much time with my measurements as I needed to be because I wanted to spend the time practicing my shading.  I thought I was careful taking a photograph of my set-up from class and I found out when I sat down to work on my homework, that the real-life image was lower than the image in the camera.  All my angles for the ellipses in the glass that I had measured on my drawing had to be corrected. (Good practice, I told myself!)  Then, I couldn’t get the proportions from the photo to match the proportions in my drawing.  So I used my proportional dividers to scale up from the photographed image to my drawing.  Basically, I had to redo the whole drawing from the picture I took because EVERYTHING WAS OFF.  Next time it will take me less than an hour and a half to figure that out.

What are proportional dividers you ask?  They are an awesome tool for scaling up or down the size of an image.  For measuring when you are sight-sizing you can use a compass or a stick to find and record 1:1 measurements, but when you need to scale up or down from the original size, proportional dividers are the tool you want.  I knew they existed, and didn’t know how to search for them because I didn’t know what they were called.  I now have two pair.

 

The black dividers are now easy to find online and I see them in stores as well.  They are a little clunky and good for basic measurements.  These are adjustable by moving that middle knob either further to the left or the right to modify the ratio.  Once you figure out what your ratio is, say 1:3, as long as you don’t move that middle screw, everything you measure with the small end (1) will be translated to three times its size on the other end of the dividers.

The second pair is a Russian drafting tool from the 1960s.  After trying the black ones, I needed something with more precision.

This is my first drawing on toned paper and I think I like it.  I still have to fix stuff and darken down the bowl of the wine glass, and I still like it so far.  I’m always amazed when a drawing of mine is recognizable.  Isn’t that silly?

 

Six hours in and a long way to go to make me happy.

There’s so much to do in this class that sometimes I have to be content with just figuring out the concept of what needs to be done and move along.  That’s what happened with my cups from the last class;  I had to be content with understanding how to measure out the ellipses.  I still have the still-life set up, and I may revisit that with toned paper.  I haven’t decided if it is the best use of my time though.